\version "2.24.0" #(set-default-paper-size "a4") #(set-global-staff-size 16.4) #(ly:set-option 'point-and-click #f) %mobile -s14.8 -i3.2 italicas=\override LyricText.font-shape = #'italic rectas=\override LyricText.font-shape = #'upright ss=\once \set suggestAccidentals = ##t incipitwidth = 20 mtempo={\tempo 4 = 100} mtempob={\tempo 4 = 50} mtempoc={\tempo 4 = 150} mtempod={\tempo 4 = 75} mt=#(define-music-function (offset) (number?) ; move lyric text #{ \once \override LyricText.X-offset = -$offset #}) htitle="Surge propera: Sanctus et Benedictus" hcomposer="Victoria" \header { title=\markup{\fontsize #3 "4. Sanctus et Benedictus"} subtitle="de la misa «Surge propera»" %subsubtitle=\markup{\null \vspace #2 } composer="Tomás Luis de Victoria (c.1548-1611)" pdfauthor=\composer %opus="(-)" poet=\markup{"1583a"} copyright=\markup{ \fill-line {"Transcribed and edited by Nancho Alvarez" \typewriter "http://tomasluisdevictoria.org"} } % tagline="" } global={ \override Score.TimeSignature.break-visibility=#end-of-line-invisible \key g \major \time 2/2 \skip 1*32 \bar "||" \break \mtempoc \time 3/4 \skip 4*6*7 \bar "||" \break \mtempo \time 2/2 \skip 1*31 \bar "||" \break \mtempoc \time 3/4 \skip 1*3/4*25 \bar "|." } cantus=\relative c' { R1*4/4 R1*4/4 r2 e ~ e e %5 a4. b8 c4 a \[c2 b\] b1 r2 r4 e, ~ e e a4. b8 %10 c4 a c4. b8 a4 g fis2 e1 R1*4/4 R1*4/4 %15 r2 r4 e ~ \set Staff.autoBeaming = ##f e8 e g4 e fis \set Staff.autoBeaming = ##t g2. fis8 e fis4. g8 a4. g8 fis e e2 dis4 %20 e g2 fis4 g4. fis16 g a4 g8 fis e2 r r r4 b' ~ \set Staff.autoBeaming = ##f b8 b d4 b cis \set Staff.autoBeaming = ##t %25 d2. d4 c a4. a8 c4 a b c b ~ b8 a a2 gis4 a1 ~ %30 a ~ a ~ a\breve*1/2 \once \override TextScript.X-offset = #-3.7 \once \override TextScript.padding = #1 s4*0^\markup{\musicglyph "timesig.mensural34" \smaller \smaller \column { 3 \raise #1 2} \hspace #.7 \fontsize #3 \musicglyph "noteheads.s0mensural" } e4 e e a4. b8 c4 b2 b4 c b8 a g4 %35 \[a f\] e c2 r4 c' c c b4. a8[ b c] \[d4 b\] a a2 r4 a a a c2 b4 a2 gis4 \mtempod a\breve*3/8 %40 \once \override TextScript.X-offset = #-3.8 \once \override TextScript.padding = #.5 s4*0^\markup{\raise #.5 \musicglyph "timesig.mensural22" \hspace #1.5 \raise #-1 "Cantus"} R1*4/4 R1*4/4 R1*4/4 e1 e2 a4. g8 %45 a b c4 a c b2 e, r4 e2 e4 a4. g8[ a b] c4 g c b8 c d b %50 c4 b8 a b4 c ~ c8 b a4 g e a8[ g] g[ fis16 e] fis2 e1 ~ e ~ %55 e R1*4/4 r4 e g fis g e8[ fis g a] b4 ~ b a b2 ~ %60 b r4 e, g fis g a ~ a gis a4. \ss g16 fis e8 fis g a b2 ~ b r4 b %65 c b c a ~ a gis a b ~ b a b g8 a b c d2 c8 b a2. a4 %70 gis\breve*1/2 \once \override TextScript.X-offset = #-3.7 \once \override TextScript.padding = #1 s4*0^\markup{\musicglyph "timesig.mensural34" \smaller \smaller \column { 3 \raise #1 2} } R1*3/4*4 e4 e g e fis2 % ennegrecido \[g4 fis4.\] e8 e2 dis4 %75 e8[ fis g a] b4 R1*3/4 b4 b d b cis2 % ennegrecidas \[d4 b4.\] a16 b c4 b2 % no ennegrecidas a4 r r a gis gis a b2 % ennegrecidas c4 a2 %80 a r4 % parece ennegrecida d cis cis d a2 % ennegrecidas \[c4 b4.\] a8 a2 gis4 a b2 % ennegrecidas \mtempod cis\breve*3/8 } altus=\relative c' { r2 a4. b8 c d e2 d4 c b8 a b2 c a ~ %5 a a e'4. fis8 g4 e d e4. d16 c b4 c d e e, e2 r4 a ~ %10 a8 b c d e4 c d e2 dis4 e2 r r r4 b ~ \set Staff.autoBeaming = ##f b8 b c4 a b \set Staff.autoBeaming = ##t %15 c8 b c d e4. d8 c4 g a a e2 r4 e' ~ \set Staff.autoBeaming = ##f e8 e dis4 e a, \set Staff.autoBeaming = ##t c2. b8 a %20 g4. a8 b4 b e,2 r r4 e'4. e8 g4 e fis g2 ~ g4 fis e2 %25 r4 d4. d8 b4 c4. b8[ c d] e4 ~ e e, e'4. d8 c4 d b e ~ \set Staff.autoBeaming = ##f e8 e f4 d e \set Staff.autoBeaming = ##t %30 \[\ss f2 e \ss f2.\] f4 e\breve*1/2 R1*3/4 e4 e e g2 d4 e g8[ fis e d] %35 \[c4 d\] b a8[ b c d e \ss f] e2 r4 g g g \[fis g\] e fis2 r4 fis fis fis g2 g4 \[e f\] e e\breve*3/8 %40 s4*0^\markup{"Altus"} a,1 a2 e'4. d8 e fis g4 e g ~ g8 fis e d c4 a8 b c d e c f4 e %45 a,2 r4 e' d4. c16 b c8 d e fis g2 c, r4 a a e' ~ e8 d e fis g4 d %50 e g4. fis8 e d c4. d8 e fis g e fis! e e2 dis4 e2 r r4 a, c b %55 c a8[ b c d] e4 ~ e dis e8 \ss d c b a4 c b4. a8 g4 a b2 r4 d2 g4 ~ %60 g fis g e ~ e dis e8 \ss d c b a4 e a2 r4 e' g fis g e2 dis4 %65 e2 r4 a, c b c g8 a b c d4. b8 e4 d4. e8 f4 e ~ e d8 c d4 d %70 e\breve*1/2 R1*3/4*6 e4 dis dis e fis2 % ennegrecidas %75 g4. fis16 e d4 e8[ d c b] c4 b2 r4 e e g f e2 % ennegrecidas \[c4 d\] b e2 r4 R1*3/4*2 e4 e f %80 d e2 % ennegrecidas \ss f4 e2 % no ennegrecidas d4 f e4 ~ e4 e2 % 4 notas ennegrecidas e2. ~ e2. ~ e\breve*3/8 } tenor=\relative c' { a4. b8[ c d] e4 ~ e8 d c b c4 b ~ b8 a a2 gis4 a8 b c d e4 a,8 b %5 c d e4. d8 c b a2 g r4 e2 e4 a4. b8 c4 b c a8[ b c d] e4 ~ %10 e8 d c b a4. g8 fis4 e b'2 e, r4 b' ~ \set Staff.autoBeaming = ##f b8 b d4 b e, \set Staff.autoBeaming = ##t g2. fis4 %15 e1 R1*4/4 r4 b'4. b8 c4 a b c4. b8 a4 g fis fis %20 e e'2 dis4 e2 r r r4 b c d e e, g a g e %25 fis8 g a2 gis4 a1 r2 r4 e' ~ \set Staff.autoBeaming = ##f e8 e d4 e b \set Staff.autoBeaming = ##t c8 b a g f4 e %30 d d'4. d8 cis4 d a d2 ~ d4 cis \mtempob cis\breve*1/4 R1*3/4 a4 a a g4. a8 b4 g2 b4 %35 a2 gis4 a4. b8[ c d] c2 r4 e e e d2 cis4 d2 r4 d d d e2 d4 c b2 % ennegrecidas a\breve*3/8 %40 s4*0^\markup{"Tenor II"} R1*4/4 R1*4/4 e1 e2 a4. g8 a b c4 a c ~ %45 c8 b a g f4 e8 \ss fis g a b g a b c d e4 e, r a a e'4. d8 c b c2 g %50 r4 e e a ~ a8 g a b c2 a4 c b4. a8 gis4 a4. \ss g16[ fis] e8[ fis] g4 a e2 %55 r r4 a c b c a8 b c d e2 dis4 e2 r4 e, g fis g e8 fis %60 g a b2 c4 b2 r4 a c b c a8 b c d e2 dis4 e e,8[ fis g a] b4 %65 a gis a4. \ss g16 fis e2 r4 e g fis g e8 fis g a b g a4. g8 f e f2 f4 %70 e\breve*1/2 a4 a c a b2 % ennegrecidas \[c4 b4.\] a8 a2 gis4 a2 r4 e' dis dis e b2 % no ennegrecidas \[c4 a\] b %75 b2. R1*3/4*3 a4 gis gis a b2 % ennegrecidas \[c4 b\] e, e'2 r4 c b b e8[ d c b a g] %80 \[f4 e\] e' \[d e\] a, a r r a gis gis a b2 % ennegrecidas \[c4 b\] e, e\breve*3/8 } tenordos=\relative c { R1*4/4 r2 e ~ e e a4. b8[ c d] e4 ~ %5 e8 d c b a4 e r e4. fis8 g a b2 e,4 b' ~ b8 a a2 gis4 a8 b c d e2 %10 e,1 r2 r4 b' ~ \set Staff.autoBeaming = ##f b8 b c4 b e, \set Staff.autoBeaming = ##t g d e8 fis g a b4 e d2 %15 e4 a,4. a8 c4 a b c c \[b2 e,\] R1*4/4 R1*4/4 %20 r2 r4 b' ~ \set Staff.autoBeaming = ##f b8 b c4 a b \set Staff.autoBeaming = ##t c c b2 r4 b4. b8 b4 e, fis g8 e a4 ~ %25 a8 g fis e d4 d e2 e'4. d8 c4 b a gis a2 b a1 ~ %30 a ~ a ~ a\breve*1/2 R1*3/4*5 %35 e4 e e a4. b8 c4 g2 r4 R1*3/4 a4 a a d,8[ e fis g] a4 e8[ fis g a] b4 \[c d\] b cis\breve*3/8 %40 R1*4/4 R1*4/4 R1*4/4 R1*4/4 R1*4/4 %45 R1*4/4 R1*4/4 R1*4/4 R1*4/4 R1*4/4 %50 R1*4/4 R1*4/4 R1*4/4 R1*4/4 R1*4/4 %55 R1*4/4 R1*4/4 R1*4/4 R1*4/4 R1*4/4 %60 R1*4/4 R1*4/4 R1*4/4 R1*4/4 R1*4/4 %65 R1*4/4 R1*4/4 R1*4/4 R1*4/4 R1*4/4 %70 R1*4/4 R1*3/4*2 a4 gis gis a b2 % ennegrecidas c4. a8 \[b4 c\] b8 a b4 e, r r R1*3/4*2 %75 b'4 a a b \[e, fis\] \[g a\] g R1*3/4 a4 gis gis a b2 % ennegrecidas \[c4 b4.\] a8 a2 gis4 a2 d,4 %80 a' a2 % ennegrecidas a r4 a a c a b2 % ennegrecidas \[c4 b4.\] a8 a2 gis4 a\breve*3/8 } bassus=\relative c { R1*4/4 R1*4/4 R1*4/4 R1*4/4 %5 a1 a2 e'4. fis8 g4 e \[g2 f\] e a,1 ~ %10 a R1*4/4 r4 e'4. e8 g4 e fis g4. fis8 e4 c d d %15 a1 R1*4/4 R1*4/4 r2 r4 a ~ \set Staff.autoBeaming = ##f a8 a c4 a b \set Staff.autoBeaming = ##t %20 c c b2 r4 e fis g a a, e'4. d8 c4 b e e ~ \set Staff.autoBeaming = ##f e8 e d4 e a, \set Staff.autoBeaming = ##t %25 d4. c8 b4 b a2 r4 a' ~ \set Staff.autoBeaming = ##f a8 a gis4 a e \set Staff.autoBeaming = ##t f2 e a,4 d4. d8 cis4 %30 d2 a d2. d4 a\breve*1/2 R1*3/4 a4 a a e'4. fis8 g4 c, e2 % ennegrecidas %35 \[\ss f4 d\] e a,2 r4 a a a e'4. fis8[ g a] \[b4 g\] a d,2 r4 d d d c8[ d e fis] g4 a \[d, e\] % ennegrecidas a,\breve*3/8 %40 R1*4/4 R1*4/4 R1*4/4 R1*4/4 R1*4/4 %45 R1*4/4 R1*4/4 R1*4/4 R1*4/4 R1*4/4 %50 R1*4/4 R1*4/4 R1*4/4 R1*4/4 R1*4/4 %55 R1*4/4 R1*4/4 R1*4/4 R1*4/4 R1*4/4 %60 R1*4/4 R1*4/4 R1*4/4 R1*4/4 R1*4/4 %65 R1*4/4 R1*4/4 R1*4/4 R1*4/4 R1*4/4 %70 R1*4/4 R1*3/4 a'4 gis gis a e2 % no ennegrecida \[f4 d\] e a,2 r4 % parece ennegrecida R1*3/4*3 %75 e'4 e g e fis2 % \ss f2 ? g4. fis16 e d4 e \[a, e'\] d e2 % ennegrecidas a,4 r r a' gis gis a e2 % ennegrecidas \[f4 d\] e a,2 r4 %80 d cis cis d a2 % no ennegrecidas d4. c8 \[a4 ~ a4 e'2\] % ligadura larga (sin opposita propietatis) 4 notas ennegrecidas a,4 e'2 % no ennegrecidas a,4 e'2 % ennegrecidas a,\breve*3/8 } textocantus=\lyricmode{ San -- _ ctus, \italicas \mt #.2 San -- _ _ _ _ _ \mt #1 ctus \rectas San -- _ ctus, \italicas \mt #.3 San -- _ _ _ _ _ _ _ _ \mt #1 ctus \rectas Do -- _ mi -- nus De -- us sa -- _ _ _ _ _ _ _ _ _ ba -- oth, sa -- ba -- oth __ _ _ _ _ _ _ Do -- _ mi -- nus De -- us sa -- ba -- oth, \italicas Do -- mi -- nus De -- us sa -- _ _ _ _ ba -- oth. _ _ _ \rectas Ple -- ni sunt cæ -- _ _ li et \mt #.2 ter -- _ _ _ _ _ _ ra glo -- ri -- a tu -- _ _ _ _ _ _ a. Ho -- san -- na in ex -- \mt #.2 cel -- _ \mt #.5 sis. Be -- ne -- di -- _ _ _ _ ctus qui ve -- nit \italicas be -- ne -- di -- _ _ _ _ ctus qui ve -- _ _ _ _ _ _ _ _ _ _ _ nit, \rectas qui \mt #.2 ve -- _ _ _ _ _ \mt #.2 nit _ _ in no -- mi -- ne Do -- _ _ _ _ _ mi -- ni _ \italicas in no -- mi -- ne Do -- _ mi -- ni __ _ _ _ _ _ _ _ _ \rectas in no -- mi -- ne Do -- _ _ _ _ _ mi -- ni, \mt #.2 Do -- _ _ _ _ _ _ _ mi -- \mt #.2 ni. Ho -- san -- na in ex -- \mt #.3 cel -- _ _ _ _ sis __ _ _ _ _ \italicas ho -- san -- na in ex -- \mt #.2 cel -- _ _ _ _ _ sis \rectas ho -- san -- na in ex -- \mt #.2 cel -- _ sis \italicas ho -- san -- na in ex -- \mt #.2 cel -- _ _ _ _ _ _ \mt #.5 sis. } textoaltus=\lyricmode{ \mt #.2 San -- _ _ _ _ _ _ _ _ _ \mt #1.3 ctus, \italicas San -- _ \mt #1.5 ctus, \rectas \mt #.2 San -- _ _ _ _ _ _ _ _ _ _ _ _ \mt #1.5 ctus \italicas \mt #1 San -- _ _ _ _ _ _ _ _ _ \mt #1 ctus \rectas Do -- _ mi -- nus De -- us \mt #.2 sa -- _ _ _ _ _ _ _ _ ba -- oth \italicas Do -- _ mi -- nus De -- us sa -- _ _ _ _ _ ba -- oth \rectas Do -- mi -- nus De -- us sa -- _ ba -- oth \italicas Do -- mi -- nus De -- _ _ _ _ _ us sa -- _ _ ba -- oth, \rectas Do -- _ \mt #1.2 mi -- \mt #.5 nus De -- us sa -- _ _ ba -- \mt #.7 oth. Ple -- ni sunt cæ -- li et ter -- _ _ _ _ _ _ ra __ _ _ _ _ _ _ glo -- ri -- a tu -- _ _ a. Ho -- san -- na in ex -- \mt #.2 cel -- _ _ \mt #.5 sis. Be -- ne -- di -- _ _ _ _ ctus qui _ _ _ _ _ ve -- _ _ _ _ _ _ _ nit qui ve -- _ _ _ _ _ _ _ nit be -- ne -- di -- _ _ _ _ _ ctus qui ve -- _ _ _ _ _ _ _ _ _ _ _ _ _ nit in no -- mi -- ne Do -- _ _ _ _ _ mi -- ni, __ _ _ _ _ in no -- _ _ mi -- ne in no -- _ mi -- ne Do -- _ _ _ _ _ _ _ mi -- ni \italicas in no -- mi -- ne Do -- mi -- ni \rectas in no -- mi -- ne Do -- _ _ _ _ _ _ _ _ _ _ _ _ _ _ mi -- \mt #.2 ni. Ho -- san -- na in ex -- cel -- _ _ _ _ _ _ _ _ sis \italicas ho -- san -- na in ex -- \mt #.2 cel -- _ _ sis \rectas ho -- san -- na in ex -- \mt #.4 cel -- _ sis, in ex -- _ cel -- sis. _ } textotenor=\lyricmode{ \mt #.4 San -- _ _ _ _ _ _ _ _ _ _ _ _ _ _ \mt #.2 ctus, __ _ _ _ _ \italicas \mt #.2 San -- _ _ _ _ _ _ _ _ ctus \rectas San -- ctus, \italicas \mt #.3 San -- _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ \mt #1 ctus \rectas Do -- _ mi -- nus De -- us sa -- ba -- oth \italicas Do -- mi -- nus De -- us sa -- _ _ _ _ ba -- oth, \rectas sa -- ba -- oth Do -- mi -- nus De -- us sa -- _ _ _ _ _ _ ba -- oth Do -- _ mi -- nus De -- us \mt #.1 sa -- _ _ _ _ ba -- oth, \italicas Do -- mi -- nus De -- us sa -- _ ba -- oth. \rectas Ple -- ni sunt \mt #.2 cæ -- _ _ li et \mt #.2 ter -- _ ra __ _ _ _ _ glo -- ri -- a tu -- _ a. Ho -- san -- na in ex -- \mt #.2 cel -- _ \mt #.5 sis. Be -- ne -- di -- _ _ _ _ ctus qui __ _ _ _ _ _ \mt #.2 ve -- _ _ _ _ _ _ _ _ _ _ nit \italicas be -- ne -- di -- _ _ _ _ ctus \rectas be -- ne -- di -- _ _ _ _ _ ctus qui \mt #.2 ve -- _ _ _ _ _ _ _ _ _ nit in no -- mi -- ne Do -- _ _ _ _ mi -- ni \italicas in no -- mi -- ne Do -- _ _ _ _ mi -- ni \rectas in no -- mi -- ne Do -- _ _ _ _ mi -- ni, \italicas Do -- _ _ _ _ _ mi -- ni __ _ _ _ \rectas in no -- mi -- ne \mt #.1 Do -- _ _ _ _ _ _ _ _ _ _ mi -- \mt #.2 ni. Ho -- san -- na in ex -- \mt #.2 cel -- _ _ _ _ sis \italicas ho -- san -- na in ex -- \mt #.2 cel -- _ _ sis ho -- san -- na in ex -- \mt #.2 cel -- _ _ sis \rectas ho -- san -- na \mt #.2 in __ _ _ _ _ _ _ _ ex -- \mt #.2 cel -- _ _ sis \italicas ho -- san -- na in ex -- \mt #.2 cel -- _ _ \mt #.5 sis. } textotenordos=\lyricmode{ San -- _ ctus, \italicas \mt #.2 San -- _ _ _ _ _ _ _ _ _ ctus \rectas \mt #.2 San -- _ _ _ _ ctus, \italicas San -- _ _ _ _ _ _ _ _ _ \mt #1 ctus \rectas Do -- _ mi -- nus De -- us sa -- ba -- \mt #.2 oth, __ _ _ _ _ sa -- ba -- oth, Do -- mi -- nus De -- us sa -- ba -- \mt #.2 oth __ _ \italicas Do -- _ mi -- nus De -- us sa -- ba -- oth \rectas Do -- mi -- nus De -- us sa -- _ _ _ _ _ _ _ ba -- oth, sa -- _ _ _ _ _ _ ba -- oth. _ _ _ glo -- ri -- a tu -- _ _ a. Ho -- san -- na in __ _ _ _ _ ex -- _ _ _ _ \mt #.2 cel -- _ _ \mt #.5 sis. Ho -- san -- na in ex -- \mt #.2 cel -- _ _ _ _ _ _ sis \italicas ho -- san -- na in ex -- _ \mt #.2 cel -- _ sis \rectas ho -- san -- na in ex -- \mt #.3 cel -- _ _ _ _ \mt #1 sis, in ex -- cel -- sis ho -- san -- na in ex -- \mt #.3 cel -- _ _ _ _ \mt #.5 sis. } textobassus=\lyricmode{ \mt #.7 San -- \mt #1.5 ctus, \italicas \mt #.2 \mt #.2 San -- _ _ _ _ _ _ \mt #.5 ctus _ \rectas Do -- mi -- nus De -- us sa -- _ _ _ _ ba -- oth \italicas Do -- _ mi -- nus De -- us sa -- ba -- oth \rectas Do -- mi -- nus De -- us sa -- _ _ ba -- oth, \italicas Do -- _ mi -- nus De -- us sa -- _ _ ba -- oth \rectas Do -- _ \mt #1.3 mi -- \mt #.7 nus De -- us sa -- ba -- oth, \italicas Do -- mi -- nus De -- us sa -- ba -- \mt #.7 oth. \rectas Ple -- ni sunt \mt #.2 cæ -- _ _ li et \mt #.2 ter -- _ _ ra glo -- ri -- a tu -- _ _ _ _ _ _ a. Ho -- san -- na in __ _ _ _ _ ex -- cel -- _ \mt #.5 sis. Ho -- san -- na in ex -- \mt #.5 cel -- _ _ sis \italicas ho -- san -- na in ex -- \mt #.2 cel -- _ _ _ sis, \rectas in __ _ ex -- cel -- sis ho -- san -- na in ex -- \mt #.5 cel -- _ _ sis \italicas ho -- san -- na in ex -- \mt #.2 cel -- _ _ _ _ sis, \rectas in ex -- cel -- \mt #.5 sis. } incipitcantus=\markup{ \score{ { \set Staff.instrumentName="Cantus " \override NoteHead.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-g" \key c \major \time 2/2 a'\breve } \layout { line-width=\incipitwidth indent = 0 } } } incipitaltus=\markup{ \score{ { \set Staff.instrumentName="Altus " \override NoteHead.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-c2" \key c \major \time 2/2 d'2. } \layout { line-width=\incipitwidth indent = 0 } } } incipittenor=\markup{ \score{ { \set Staff.instrumentName="Tenor I " \override NoteHead.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-c3" \key c \major \time 2/2 d'2. } \layout { line-width=\incipitwidth indent=0 } } } incipittenordos=\markup{ \score{ { \set Staff.instrumentName="Tenor II " \override NoteHead.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-c3" \key c \major \time 2/2 a\breve } \layout { line-width=\incipitwidth indent=0 } } } incipitbassus=\markup{ \score{ { \set Staff.instrumentName="Bassus " \override NoteHead.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-c4" \key c \major \time 2/2 d\breve } \layout { line-width=\incipitwidth indent = 0 } } } %\layout { % \context {\Voice % \remove Ligature_bracket_engraver % \consists Mensural_ligature_engraver % } % line-width=\incipitwidth % indent = 0 %} \score {\transpose c' c'{ \new ChoirStaff<< \new Staff <<\global \new Voice="v1" { \set Staff.instrumentName=\incipitcantus \clef "treble" \cantus } \new Lyrics \lyricsto "v1" {\textocantus } >> \new Staff <<\global \new Voice="v2" { \set Staff.instrumentName=\incipitaltus \clef "G_8" \altus } \new Lyrics \lyricsto "v2" {\textoaltus } >> \new Staff <<\global \new Voice="v3" { \set Staff.instrumentName=\incipittenor \clef "G_8" \tenor } \new Lyrics \lyricsto "v3" {\textotenor } >> \new Staff <<\global \new Voice="v5" { \set Staff.instrumentName=\incipittenordos \clef "G_8" \tenordos } \new Lyrics \lyricsto "v5" {\textotenordos } >> \new Staff <<\global \new Voice="v4" { \set Staff.instrumentName=\incipitbassus \clef "bass" \bassus } \new Lyrics \lyricsto "v4" {\textobassus } >> >> } % transpose \layout{ \context {\Lyrics \override VerticalAxisGroup.staff-affinity = #UP \override VerticalAxisGroup.nonstaff-relatedstaff-spacing = #'((basic-distance . 0) (minimum-distance . 0) (padding . 1)) \override LyricText.font-size = #1.2 \override LyricHyphen.minimum-distance = #0.5 } \context {\Score tempoHideNote = ##t \override BarNumber.padding = #2 } \context {\Voice melismaBusyProperties = #'() %autoBeaming = ##f } \context {\Staff \RemoveEmptyStaves %\override VerticalAxisGroup.remove-first = ##t \override VerticalAxisGroup.staff-staff-spacing = #'((basic-distance . 11) (minimum-distance . 0) (padding . 1)) \consists Ambitus_engraver \override LigatureBracket.padding = #1 } } %\midi { \mtempo } } \paper{ evenHeaderMarkup=\markup \fill-line { \fromproperty #'page:page-number-string \htitle \hcomposer } oddHeaderMarkup= \markup \fill-line { \unless \on-first-page \hcomposer \unless \on-first-page \htitle \unless \on-first-page \fromproperty #'page:page-number-string } %system-count=20 %page-count = 8 %systems-per-page=3 ragged-last-bottom = ##f indent=3.6\cm system-system-spacing = #'((basic-distance . 20) (minimum-distance . 0) (padding . 5)) top-system-spacing = % header #'((basic-distance . 9) (minimum-distance . 0) (padding . 0)) last-bottom-spacing = % footer #'((basic-distance . 12) (minimum-distance . 0) (padding . 0)) markup-system-spacing.padding = #1.5 first-page-number=24 oddHeaderMarkup=\markup \fill-line {\hcomposer \htitle \fromproperty #'page:page-number-string } evenHeaderMarkup=\markup \fill-line {\unless \on-first-page \fromproperty #'page:page-number-string \unless \on-first-page \htitle \unless \on-first-page \hcomposer } }