\version "2.24.0" #(set-default-paper-size "a4") #(set-global-staff-size 16.6) #(ly:set-option 'point-and-click #f) %mobile -s15.4 -i3.1 italicas=\override LyricText.font-shape = #'italic rectas=\override LyricText.font-shape = #'upright ss=\once \set suggestAccidentals = ##t incipitwidth = 20 mtempo={\tempo 4 = 100} mtempob={\tempo 4 = 50} mt=#(define-music-function (offset) (number?) ; move lyric text #{ \once \override LyricText.X-offset = -$offset #}) colorclaro=#(rgb-color .5 .3 .3) coloroscuro=#(rgb-color 0 0 0) mnon={ \override NoteHead.color = \colorclaro \override Stem.color = \colorclaro \override Beam.color = \colorclaro \override Flag.color = \colorclaro \override Dots.color = \colorclaro \override Tie.color = \colorclaro \override Rest.color = \colorclaro \override Accidental.color = \colorclaro } mnoff={ \override NoteHead.color = \coloroscuro \override Stem.color = \coloroscuro \override Beam.color = \coloroscuro \override Flag.color = \coloroscuro \override Dots.color = \coloroscuro \override Tie.color = \coloroscuro \override Rest.color = \coloroscuro \override Accidental.color = \coloroscuro } htitle="Simile est regnum cælorum: Benedictus" hcomposer="Victoria" \header { title=\markup{\fontsize #3 "5. Benedictus"} subtitle="de la misa «Simile est regnum cælorum»" subsubtitle=\markup{\null \vspace #1 } composer="Tomás Luis de Victoria (c.1548-1611)" pdfauthor = \composer %opus="(-)" poet=\markup{"1576, 1583a"} copyright=\markup{ \fill-line {"Transcribed and edited by Nancho Alvarez" \typewriter "http://tomasluisdevictoria.org"} } % tagline="" } global={\key c \major \time 2/2 \skip 1*32 \bar "||" \break \override Score.RehearsalMark.self-alignment-X=#LEFT \mark \markup{\smaller " [Only in 1576]"} \skip 1*18 \bar "|." } cantus=\relative c'' { R1*4/4 R1*4/4 R1*4/4 R1*4/4 %5 R1*4/4 R1*4/4 R1*4/4 R1*4/4 R1*4/4 %10 R1*4/4 R1*4/4 R1*4/4 R1*4/4 R1*4/4 %15 R1*4/4 R1*4/4 R1*4/4 R1*4/4 R1*4/4 %20 R1*4/4 R1*4/4 R1*4/4 R1*4/4 R1*4/4 %25 R1*4/4 R1*4/4 R1*4/4 R1*4/4 R1*4/4 %30 R1*4/4 R1*4/4 R1*4/4 g2 g4 a b c d c8 b %35 a4 d2 c4 ~ c b a a g4. a8[ b c] d4 g, g'2 f4 ~ f e d4. c8 %40 b4 a r c ~ c b2 a4 g8 a b c d c d e f8 d g2 fis4 g e d2 %45 r r4 g ~ g f2 e4 d1 e d %50 d\breve*1/2 } altus=\relative c'' { R1*4/4 R1*4/4 g2. e4 \[f2 g\] %5 c,4 f e d8 c d2 g,4 g' f e d2 c r4 f d e f d %10 e2. d8 c d4. c8 b4 a g g'2 e4 f2 g r4 c b a %15 g2 r4 c a b c2 b4 g g g e8 f g e f4 e d e4. d8 b4 %20 c b c d e2 r4 c' c c a8 b c a b4 g4. f8 d e f4 g d2 %25 r r4 f f f d8 e f d e4 c4. d8 e f g4 g c,2 r4 c' c c %30 a8 b c a b4 a ~ \once \override TextScript.padding = #1.5 s4*0^\markup{\hspace #-2.5 \larger "Hosanna ut supra" \smaller \smaller "[only in 1583a]"} a8 g g2 fis4 g\breve*1/2 R1*4/4 g1 %35 f2. e4 d d c2 ~ c d r4 g a b c2. b8 a %40 g4 c, f g a g2 fis4 \[g2 a4.\] b8 c[ b] b[ a16 g] a2 g r4 g %45 f e d4. c8 b4 a c c' ~ c b2 a4 c2 b4 c a1 %50 b\breve*1/2 } tenor=\relative c' { d2. b4 \[c2 d\] g,4 c b c d a b c ~ %5 c8 a d4. c8 c4 ~ c b8 a b4. c8 d4 c2 b4 c a g a b g a b %10 c a g2 ~ g r4 d' ~ d b \[c2 d\] g,4 d' e8 f g2 fis4 %15 g e d e f d e fis g8 f e d e2 R1*4/4 r4 g g g %20 e8 f g e f4 g ~ g8 f e d e4. d8 c b c2 c4 d2 r4 d d d b8 c d b %25 c4 b a d ~ d8 c c2 b4 c g' g g e8 f g e f4 e d e e e %30 c8 d e c d2 c a g\breve*1/2 % La copia que tengo de 1576 está incompleta y no puedo transcribir este pasaje (el hosanna) del tenor % No recuerdo de qué edición moderna copié este fragmento % Este es uno de los pocos fragmentos de la obra de Victoria de la que no tengo un original completo. r2 g g4 a b c %35 d4. \mnon c16 b a4 g r g'2 f4 ~ f e d8 c b a b4 g d'4. c8 a b c4 \mnoff g8 a b c %40 d e f g a4 g \mnon f8 e d c d2 g,4 g'2 f4 ~ f e d4. c8 b4 c g d' ~ %45 d c2 b4 d2 g,4 g ~ g8 a b c d e f4 e \mnoff a4. g8 g4 ~ g \mnon fis8 e fis2 %50 g\breve*1/2 } bassus=\relative c' { R1*4/4 R1*4/4 R1*4/4 R1*4/4 %5 R1*4/4 g2. e4 \[f2 g\] c,4 f e f g e d2 %10 c4 c'2 b8 a b4 g2 fis4 g4. f8[ e d] e4 d d'2 b4 \[c2 d\] %15 g,4 c b c d b a2 g r4 c c c a8 b c a b4 c4. b8 g4 %20 a g a b c4. b8[ a g] a4 ~ a8 g f e f4 a g1 r4 g g g %25 e8 f g e f4 d8 e f e d c d4 d c2 r4 c' c c a8 b c a b4 a8 b c b a g %30 a2 g4 f ~ f8 e c4 d d g\breve*1/2 R1*4/4 R1*4/4 %35 d2 d4 e f g a4. b8 c4 c, g'4. f8 e d e4 d2 r r4 g ~ %40 g f2 e4 f g \[d2 e\] d r r4 d' ~ % esta nota no se ve bien porque el papel esta arrugado d c2 b4 %45 a4. g8 f4 g d2 c g'4. a8[ b c] d4 a8 b c d e4 c d1 %50 g,\breve*1/2 } textocantus=\lyricmode{ Ho -- san -- na in ex -- \mt #.2 cel -- _ _ sis, Ho -- san -- _ na in ex -- cel -- _ _ _ _ _ _ _ _ _ _ _ _ sis Ho -- _ san -- na in __ _ _ _ _ _ _ _ _ _ _ ex -- \mt #.5 cel -- _ sis \italicas Ho -- _ san -- na in ex -- cel -- \mt #.5 sis. } textoaltus=\lyricmode{ Be -- ne -- di -- _ ctus qui ve -- _ _ _ nit, qui \mt #.5 ve -- _ _ nit qui \mt #.4 ve -- _ _ _ _ _ _ _ _ _ _ nit, be -- ne -- di -- ctus qui \mt #.4 ve -- _ nit qui \mt #.3 ve -- _ _ nit, in no -- mi -- ne __ _ _ _ _ _ _ Do -- _ _ _ _ _ mi -- ni \italicas in no -- mi -- ne __ _ _ _ _ \mt #.3 Do -- _ _ _ _ mi -- ni \rectas in no -- mi -- ne __ _ _ _ _ Do -- _ _ _ _ mi -- ni \italicas in no -- mi -- ne __ _ _ _ _ Do -- _ _ _ mi -- ni. \rectas Ho -- san -- na in ex -- cel -- _ sis Ho -- san -- na in __ _ _ _ ex -- \mt #.4 cel -- _ _ _ _ _ _ _ _ _ _ _ _ _ sis Ho -- san -- na in ex -- \mt #.4 cel -- _ sis, \italicas Ho -- _ san -- na in __ _ ex -- cel -- \mt #.5 sis. } textotenor=\lyricmode{ Be -- ne -- di -- _ ctus qui \mt #.2 ve -- _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ nit, qui \mt #.2 ve -- _ _ _ _ _ _ _ nit _ be -- _ ne -- di -- _ ctus qui \mt #.1 ve -- _ _ _ nit, qui \mt #.3 ve -- _ _ _ _ _ nit __ _ _ _ _ % 1576 _ _ _ _ nit in no -- mi -- ne __ _ _ _ _ \mt #.3 Do -- _ _ _ _ _ _ _ _ _ mi -- ni in no -- mi -- ne __ _ _ _ _ _ _ Do -- _ _ _ mi -- ni, in no -- mi -- ne __ _ _ _ Do -- mi -- ni, in no -- mi -- ne __ _ _ _ _ Do -- mi -- ni. % ij en 1583a Ho -- san -- na in ex -- \mt #.2 cel -- _ _ _ sis Ho -- san -- _ na in __ _ _ _ _ ex -- cel -- _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ sis, Ho -- san -- _ na in ex -- \mt #.3 cel -- _ sis, in _ ex -- _ cel -- sis, in __ _ _ _ _ _ _ _ ex -- cel -- _ _ _ _ _ _ \mt #.5 sis. } textobassus=\lyricmode{ Be -- ne -- di -- _ ctus qui \mt #.1 ve -- _ _ _ _ nit, qui __ _ _ _ ve -- _ _ _ _ _ _ nit, be -- ne -- di -- _ ctus qui \mt #.3 ve -- _ _ _ _ nit in no -- mi -- ne __ _ _ _ _ Do -- _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ mi -- ni in no -- mi -- ne __ _ _ _ _ Do -- _ _ _ _ _ _ mi -- ni in no -- mi -- ne __ _ _ _ _ Do -- _ _ _ _ _ _ _ _ _ _ _ _ mi -- ni. Ho -- san -- na in ex -- \mt #.3 cel -- _ _ _ _ _ _ _ _ sis Ho -- _ san -- na in ex -- \mt #.2 cel -- _ sis Ho -- _ san -- na in __ _ _ ex -- cel -- sis, in __ _ _ _ _ \mt #.2 ex -- _ _ _ _ _ cel -- \mt #.5 sis. } incipitcantus=\markup{ \score{ { \set Staff.instrumentName="Cantus " \override NoteHead.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-g" \key c \major \time 2/2 d'1 } \layout { line-width=\incipitwidth indent = 0 } } } incipitaltus=\markup{ \score{ { \set Staff.instrumentName="Altus " \override NoteHead.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-c2" \key c \major \time 2/2 g'1. } \layout { line-width=\incipitwidth indent = 0 } } } incipittenor=\markup{ \score{ { \set Staff.instrumentName="Tenor " \override NoteHead.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-c3" \key c \major \time 2/2 d'1. } \layout { line-width=\incipitwidth indent=0 } } } incipitbassus=\markup{ \score{ { \set Staff.instrumentName="Bassus " \override NoteHead.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-c4" \key c \major \time 2/2 g1. } \layout { line-width=\incipitwidth indent = 0 } } } %\layout { % \context {\Voice % \remove Ligature_bracket_engraver % \consists Mensural_ligature_engraver % } % line-width=\incipitwidth % indent = 0 %} \score {\transpose c' g{ \new ChoirStaff<< \new Staff\with{\remove Ambitus_engraver } <<\global \new Voice="v1" { \set Staff.instrumentName=\incipitcantus \clef "treble" \cantus } \new Lyrics \lyricsto "v1" {\textocantus } >> \new Staff <<\global \new Voice="v2" { \set Staff.instrumentName=\incipitaltus \clef "G_8" \altus } \new Lyrics \lyricsto "v2" {\textoaltus } >> \new Staff <<\global \new Voice="v3" { \set Staff.instrumentName=\incipittenor \clef "G_8" \tenor } \new Lyrics \lyricsto "v3" {\textotenor } >> \new Staff <<\global \new Voice="v4" { \set Staff.instrumentName=\incipitbassus \clef "bass" \bassus } \new Lyrics \lyricsto "v4" {\textobassus } >> >> } % transpose \layout{ \context {\Lyrics \override VerticalAxisGroup.staff-affinity = #UP \override VerticalAxisGroup.nonstaff-relatedstaff-spacing = #'((basic-distance . 0) (minimum-distance . 0) (padding . 1)) \override LyricText.font-size = #1.2 \override LyricHyphen.minimum-distance = #0.5 } \context {\Score tempoHideNote = ##t \override BarNumber.padding = #2 } \context {\Voice melismaBusyProperties = #'() %autoBeaming = ##f } \context {\Staff \RemoveEmptyStaves \override VerticalAxisGroup.remove-first = ##t \override VerticalAxisGroup.staff-staff-spacing = #'((basic-distance . 11) (minimum-distance . 0) (padding . 1)) \consists Ambitus_engraver \override LigatureBracket.padding = #1 } } %\midi { \mtempo } } \paper{ evenHeaderMarkup=\markup \fill-line { \fromproperty #'page:page-number-string \htitle \hcomposer } oddHeaderMarkup= \markup \fill-line { \unless \on-first-page \hcomposer \unless \on-first-page \htitle \unless \on-first-page \fromproperty #'page:page-number-string } %system-count=20 %page-count = 8 ragged-last-bottom = ##f indent=3.6\cm system-system-spacing = #'((basic-distance . 20) (minimum-distance . 0) (padding . 5)) top-system-spacing = % header #'((basic-distance . 9) (minimum-distance . 0) (padding . 0)) last-bottom-spacing = % footer #'((basic-distance . 12) (minimum-distance . 0) (padding . 0)) markup-system-spacing.padding = #1.5 first-page-number=20 oddHeaderMarkup=\markup \fill-line {\hcomposer \htitle \fromproperty #'page:page-number-string } evenHeaderMarkup=\markup \fill-line {\unless \on-first-page \fromproperty #'page:page-number-string \unless \on-first-page \htitle \unless \on-first-page \hcomposer } }