\version "2.24.0" #(set-default-paper-size "a4") #(set-global-staff-size 16.6) #(ly:set-option 'point-and-click #f) %mobile -s15.5 -i3.1 -bnone italicas=\override LyricText.font-shape = #'italic rectas=\override LyricText.font-shape = #'upright ss=\once \set suggestAccidentals = ##t incipitwidth = 20 mtempo={\tempo 4 = 100} mtempob={\tempo 4 = 50} mt=#(define-music-function (offset) (number?) ; move lyric text #{ \once \override LyricText.X-offset = -$offset #}) htitle="Simile est regnum cælorum: Kyrie" hcomposer="Victoria" \header { title=\markup{\fontsize #3 "1. Kyrie"} subtitle="de la misa «Simile est regnum cælorum»" subsubtitle=\markup{\null \vspace #1 } composer="Tomás Luis de Victoria (c.1548-1611)" pdfauthor = \composer %opus="(-)" poet=\markup{"1576, 1583a"} copyright=\markup{ \fill-line {"Transcribed and edited by Nancho Alvarez" \typewriter "http://tomasluisdevictoria.org"} } % tagline="" } global={\key c \major \time 2/2 \skip 1*17 \bar "||" \pageBreak \skip 1*15 \bar "||" \pageBreak \skip 1*16 \bar "|." } cantus=\relative c'' { R1*4/4 R1*4/4 R1*4/4 r2 g %5 g4 g d'2 ~ d4 d b c \[d2 e\] \[d c\] a b %10 r4 d d b c8 d e f g2 c, r r r4 d d d b8 c d b %15 c4 b a b ~ b8 a g2 fis4 % 1576 sin alteracion g\breve*1/2 g2 b4 b c a g2 %20 R1*4/4 r4 c c c d4. c16 b a4. b8 c4 a b2 c r4 f %25 d e f4. e16 d c4 d e2 r4 f f f e1 d2 r %30 c c4 c \[bes2 a\] a\breve*1/2 g2. g4 g2 c %35 b4 d4. c8 b a b4 c2 b4 c4. b16 a g4 a b2 a4 g b c d2 %40 g,4 g'4. f8 e4 d c b c ~ c b c2 r4 c e f g4. f16 e d4 c %45 b a8 g a4 d d g, b a ~ a8 g g2 fis4 g\breve*1/2 } altus=\relative c'' { R1*4/4 R1*4/4 R1*4/4 R1*4/4 %5 R1*4/4 g2 g4 e f g c, c' ~ c b a g ~ g fis \[g2 %10 a\] b4 g g g e8 f g e f4 e d e ~ e8 d c2 b8 a b c d4 g, g' %15 g g f d ~ d8 cis cis4 d2 d\breve*1/2 r4 g g g a4. g16 f e4. f8 %20 g4 a4. g8 f4 ~ f e8 d \[e2 d4.\] e8 f d e4 ~ e fis g d e f4. e16 d c4 %25 g'2 a4 f f f g4. f16 e d4. e8 f4 d g2 r4 g g g f g %30 a2. a4 g4. f8 e2 fis\breve*1/2 R1*4/4 c2 e4 f %35 g2 d4 g ~ g8 f e4 d2 e r d d4 d g2 f4 d %40 \[e2 c\] g'1 r4 g2 g4 g2 c ~ c4 b8 a b4 a ~ %45 a8 g g2 fis4 g4. f16 e d4 e ~ e c d2 d\breve*1/2 } tenor=\relative c' { g2 g4 g d'2. d4 b c \[d2 e2.\] d8 c %5 d4. c8 b4 a b g g'2 r4 g g e f g \[c,2 d\] g,4 g' %10 g fis g2 c, r r4 g' g g c,8 d e c d2 g, d'4 d %15 e d4. c8 b a g2 a g\breve*1/2 R1*4/4 r2 c %20 e4 e f d c2 r r r4 c c c d4. c16 b a4. b8 c4 a %25 b g d'2 a c b4 a8 g a4 b c8 d e f g2 r4 d d d %30 e f4. e8 c d e4 d2 cis4 d\breve*1/2 R1*4/4 R1*4/4 %35 R1*4/4 g,2. g4 g2 c b4 d4. c8 b a g4 c2 b4 %40 c c8[ d e f] g4 ~ g8 f e4 d c d2 c4 e d e c2 d4 g g c, %45 \[e2 d\] b4 d b c b a8 g a2 g\breve*1/2 } bassus=\relative c' { R1*4/4 r2 g g4 e f g c, c'2 b8 a %5 b4 g2 fis4 g2 r R1*4/4 R1*4/4 r4 d' d b %10 c d g,2 r4 c c c a8 b c a b4 c a2 g r4 g g g %15 e8 f g e f4 g \[e2 d\] g\breve*1/2 R1*4/4 r2 r4 c %20 c c d4. c16 b a4. b8 c4 a b g d' c8 b a2 g r4 f f f %25 g4. f16 e d4. e8 f4 d c8 d e f g4 f8 e d2 c4 c' c c bes1 %30 a4 f f f \[g2 a\] d,\breve*1/2 R1*4/4 R1*4/4 %35 R1*4/4 R1*4/4 c2 e4 f g2 d4 g ~ g8 f e4 d2 %40 c r g' g g c b4 c a2 g r %45 R1*4/4 g2 g4 c, \[e2 d\] g\breve*1/2 } textocantus=\lyricmode{ Ky -- ri -- e e -- _ _ _ _ _ _ _ _ lei -- son Ky -- ri -- e e -- _ _ _ lei -- son % ij en 1583a Ky -- ri -- e e -- _ _ _ _ _ _ lei -- _ _ _ _ \mt #1 son. Chri -- ste e -- \mt #.5 lei -- _ son \italicas Chri -- ste e -- lei -- _ _ _ _ _ _ _ son \rectas Chri -- ste e -- lei -- _ _ _ _ son Chri -- ste e -- lei -- son \italicas Chri -- ste e -- \mt #.5 lei -- _ \mt #1 son. \rectas Ky -- ri -- e e -- _ _ _ _ _ _ _ lei -- \mt #.5 son, __ _ _ _ \italicas e -- lei -- _ _ _ _ _ son, % en 1573 no hay ij Ky -- ri -- e e -- _ \mt #.4 lei -- _ _ _ son \rectas Ky -- ri -- e __ _ _ _ _ e -- \mt #.2 lei -- _ _ \mt #1 son, % rie \italicas Ky -- ri -- e e -- le -- _ _ _ i -- \mt #1 son. } textoaltus=\lyricmode{ Ky -- ri -- e e -- lei -- son, \italicas Ky -- _ ri -- e e -- _ _ lei -- _ son, \rectas Ky -- ri -- e~e -- lei -- _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ son, \italicas Ky -- ri -- e e -- lei -- _ _ _ _ \mt #1 son. \rectas Chri -- ste e -- lei -- _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ son, \italicas Chri -- ste e -- _ _ _ lei -- son, \rectas Chri -- ste e -- lei -- _ _ _ _ _ _ son \italicas Chri -- ste e -- lei -- _ son, e -- lei -- _ _ \mt #1 son. % en 1576 solo un ij \rectas Ky -- ri -- e e -- _ _ _ _ _ lei -- son \italicas Ky -- ri -- e e -- _ _ lei -- _ son \rectas Ky -- ri -- e e -- _ _ _ _ lei -- _ _ _ _ _ _ _ _ _ _ _ _ \mt #1 son. } textotenor=\lyricmode{ Ky -- ri -- e e -- \markup{ \hspace #-.2 \fontsize #-3 (e) } -- _ _ _ _ _ _ _ _ _ _ _ lei -- son % en 1576 lei va sobre la ligadura, las 2 ediciones tienen "e" sin articular Ky -- ri -- e e -- _ lei -- _ son, \italicas e -- \mt #.3 lei -- _ _ son \rectas Ky -- ri -- e e -- _ _ _ _ lei -- son, \italicas e -- lei -- _ _ _ _ _ _ \mt #1 son. % texto un poco movido en 1573 \rectas Chri -- ste e -- lei -- _ son % le -- i en 1583a \italicas Chri -- ste e -- lei -- _ _ _ _ _ _ _ _ _ son, Chri -- ste e -- _ _ lei -- \mt #.2 son __ _ _ _ _ % en 1576 solo un ij \rectas Chri -- ste e -- \mt #.2 lei -- _ _ _ _ _ _ _ \mt #1 son. Ky -- ri -- e e -- _ _ _ _ _ _ _ lei -- son, % en 1573 e -- lei \italicas e -- _ _ _ _ _ _ _ _ _ lei -- son, e -- _ _ lei -- son, \rectas Ky -- ri -- e~e -- \mt #.2 lei -- _ son, % ij en 1583a \italicas e -- \mt #.4 lei -- _ _ _ _ _ \mt #1 son. % el ij esta movido en 1583a } textobassus=\lyricmode{ Ky -- ri -- e e -- lei -- son, \italicas e -- _ _ _ lei -- _ son \rectas Ky -- ri -- e e -- lei -- son Ky -- ri -- e e -- _ _ _ _ _ lei -- son % ij en 1583a Ky -- ri -- e e -- _ _ _ _ _ lei -- _ \mt #1 son. Chri -- ste e -- lei -- _ _ _ _ _ _ _ _ _ _ _ _ son \italicas Chri -- ste e -- lei -- _ _ _ _ _ _ _ _ _ _ _ _ _ _ son, \rectas Chri -- ste e -- lei -- son, \italicas Chri -- ste e -- lei -- _ \mt #1 son. \rectas Ky -- ri -- e e -- _ lei -- _ _ _ _ son \italicas Ky -- ri -- e e -- _ _ lei -- son Ky -- ri -- e~e -- lei -- _ \mt #1 son. % en 1576 parece que no es ij, pero mi copia no esta completa } incipitcantus=\markup{ \score{ { \set Staff.instrumentName="Cantus " \override NoteHead.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-g" \key c \major \time 2/2 g'1 } \layout { line-width=\incipitwidth indent = 0 } } } incipitaltus=\markup{ \score{ { \set Staff.instrumentName="Altus " \override NoteHead.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-c2" \key c \major \time 2/2 g'1 } \layout { line-width=\incipitwidth indent = 0 } } } incipittenor=\markup{ \score{ { \set Staff.instrumentName="Tenor " \override NoteHead.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-c3" \key c \major \time 2/2 g1 } \layout { line-width=\incipitwidth indent=0 } } } incipitbassus=\markup{ \score{ { \set Staff.instrumentName="Bassus " \override NoteHead.style = #'neomensural \override Staff.TimeSignature.style = #'neomensural \cadenzaOn \clef "petrucci-c4" \key c \major \time 2/2 g1 } \layout { line-width=\incipitwidth indent = 0 } } } %\layout { % \context {\Voice % \remove Ligature_bracket_engraver % \consists Mensural_ligature_engraver % } % line-width=\incipitwidth % indent = 0 %} \score {\transpose c' g{ \new ChoirStaff<< \new Staff <<\global \new Voice="v1" { \set Staff.instrumentName=\incipitcantus \clef "treble" \cantus } \new Lyrics \lyricsto "v1" {\textocantus } >> \new Staff <<\global \new Voice="v2" { \set Staff.instrumentName=\incipitaltus \clef "G_8" \altus } \new Lyrics \lyricsto "v2" {\textoaltus } >> \new Staff <<\global \new Voice="v3" { \set Staff.instrumentName=\incipittenor \clef "G_8" \tenor } \new Lyrics \lyricsto "v3" {\textotenor } >> \new Staff <<\global \new Voice="v4" { \set Staff.instrumentName=\incipitbassus \clef "bass" \bassus } \new Lyrics \lyricsto "v4" {\textobassus } >> >> } % transpose \layout{ \context {\Lyrics \override VerticalAxisGroup.staff-affinity = #UP \override VerticalAxisGroup.nonstaff-relatedstaff-spacing = #'((basic-distance . 0) (minimum-distance . 0) (padding . 1)) \override LyricText.font-size = #1.2 \override LyricHyphen.minimum-distance = #0.5 } \context {\Score tempoHideNote = ##t \override BarNumber.padding = #2 } \context {\Voice melismaBusyProperties = #'() %autoBeaming = ##f } \context {\Staff %\RemoveEmptyStaves %\override VerticalAxisGroup.remove-first = ##t \override VerticalAxisGroup.staff-staff-spacing = #'((basic-distance . 11) (minimum-distance . 0) (padding . 1)) \consists Ambitus_engraver \override LigatureBracket.padding = #1 } } %\midi { \mtempo } } \paper{ evenHeaderMarkup=\markup \fill-line { \fromproperty #'page:page-number-string \htitle \hcomposer } oddHeaderMarkup= \markup \fill-line { \unless \on-first-page \hcomposer \unless \on-first-page \htitle \unless \on-first-page \fromproperty #'page:page-number-string } %system-count=20 %page-count = 8 ragged-last-bottom = ##f indent=3.6\cm system-system-spacing = #'((basic-distance . 20) (minimum-distance . 0) (padding . 5)) top-system-spacing = % header #'((basic-distance . 8) (minimum-distance . 0) (padding . 0)) last-bottom-spacing = % footer #'((basic-distance . 12) (minimum-distance . 0) (padding . 0)) markup-system-spacing.padding = #1.5 }